The art of creative research : a field guide for writers / Philip Gerard
Material type:
TextSeries: Chicago guides to writing, editing, and publishingPublisher: Chicago : The University of Chicago Press, 2017Description: xiii, 220 pages ; 24 cmContent type: - text
- unmediated
- volume
- 9780226179773
- 022617977X
- 9780226179803
- 022617980X
- 808.02Â GER
- PN146Â .G47 2017
| Cover image | Item type | Current library | Home library | Collection | Shelving location | Call number | Materials specified | Vol info | URL | Copy number | Status | Notes | Date due | Barcode | Item holds | Item hold queue priority | Course reserves | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Books | GRACE BIBLE COLLEGE | General Studies | 808.02 GER (Browse shelf(Opens below)) | c.1 | Available | 015872 |
Includes bibliographical references and index
Prologue: on fire for research (an homage to Larry Brown) -- What creative research is and how to use it -- Preparing a research plan -- Tools of the trade -- Archives: what they are, where they are, and how best to use them -- It must be true -- I saw it on the Internet -- Archives of memory, imagination, and personal expertise -- Warm art of the interview -- Walking the ground and handling the thing itself -- Troubleshooting, fact-checking, and emotional cost -- Breathing life into facts and data on the page
"All writers conduct research. For some this means poring over records and combing, archives but for many creative writers research happens in the everyday world--when they scribble an observation on the subway, when they travel to get the feel for a city, or when they strike up a conversation with an interesting stranger. The Art of Creative Research helps writers take this natural inclination to explore and observe and turn it into a workable--and enjoyable--research plan. It shows that research shouldn't be seen as a dry, plodding aspect of writing. Instead, it's an art that all writers can master, one that unearths surprises and fuels imagination. This lends authenticity to fiction and poetry as well as nonfiction. Philip Gerard distills the process into fundamental questions: How do you conduct research? And what can you do with the information you gather? He covers both in-person research and work in archives and illustrates how the different types of research can be incorporated into stories, poems, and essays using examples from a wide range of writers in addition to those from his own projects."--Amazon.com
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